Rode Videomic Pro Shotgun Microphone Booming Kit

I've been using my Rode Mic for a few months now. I've had it mounted to a 5D mk3 camera as well as a Rebel t3i, and off-camera via a zoom h4n (sometimes paired with a Sennheiser Wireless G2 lav setup). Because of trace amounts of servo-noise from the cameras, the H4N provides much higher quality, but this really has nothing to do with the mic itself. I've used it in a wide variety of situations: indoors/outdoors/factory floors/office environments/even certain studio situation --all with varying degrees of ambient noise situations. It produces a rich dynamic range with really good noise isolation.

My first time out, I hadn't done any tests and so my levels were too low (my mistake, but in my defense I literally had to shoot with it the afternoon I received it). This resulted in a slight bit of hiss that was slightly noticeable while monitoring. Once I got on the editing bay, it was slightly more noticeable because I had to raise my levels a bit which made it a bit more pronounced. I'm not an audio engineer so this may have had more to do with the H4N than the mic. My music bed hid it though. Regardless, I would do some tests before going out in the field to find the right levels for your specific rig setup.

Bottom line: it's a solid purchase for gun & run situations. I recommend the extension boom pole and the extension cord as a nice complement to it. You can also drop it on a speedlight stand too. As mentioned elsewhere, because of the elastic bands you have to treat it with care in transport. I kluged together a custom-fitted hard case using the existing foam from its retail packaging. This works perfectly for my needs and provides a really nice fit.

I've since upgraded to a much more expensive mike. This one is fine if you are on a budget, but you can get a bit of a hollow sound at times and you need to make sure it's pretty close to the subject.

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I had high expectations for the mic and was really surprised by how much better than expected it performed. I've used it connected directly to a Canon 7D, Canon 5D Mark III and connected to the Zoom H4N. All with outstanding results.

It is very light weight, seems well suited for DSLR video recording, and provides sound quality that is considerably better than what I was getting from the camera itself. I find myself able to record directly to the camera using this mic, most of the time, and have significantly reduced the amount of time it takes to go from film to completed project by not having to sync up the audio later on.

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I love these mics and the quality of the company behind the product. I wouldn't use anyone else, ever they are the best in the business.

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This is an excellent microphone. Very versatile for amateur applications ready to mount on tripods and the horseshoe on cameras etc. Value for money this is one of the best mics you can get and the accessories are great.

One thing I have not seen in any review is any form of spectral analysis done on the raw audio from the microphone. I process all of my audio through multiple digital filters and equalisers along with more complicated processing techniques when necessary.

Let me give you some numbers. The mic was being recorded with a Zoom H4n set to 16bit @ 48kHz with the HPF off, recorded in uncompressed PCM. Normalised recording level was set to -12dB for close proximity talking. The recorded noise level in a room at night while facing it at a soft duvet was averaging about -58dB. Now one of the things you should notice about this microphone is how much low frequency noise it will pick up. A significant contribution of the noise level is from low frequency sources (below 200Hz but primarily

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